To the show’s credit, “Winning Time” did build to an impressive crescendo, slowing down with a finale that was structured as a blow-by-blow of the 1984 Finals. But it’s all about leaving it on the floor each season.” “We know what that arc is and we would love to have an opportunity to tell it. Exactly how we ultimately wrap it up, that’s going to be up to the powers that be,” Borenstein said.
“Every writer everywhere, but especially in Hollywood, writes in hope. In a July interview with Variety alongside other executive producers, showrunner Max Borenstein was optimistic but measured about the series’ future.
But with plenty more well-documented match-ups on the horizon, the ending makes for a uniquely curt send-off to viewers who know their basketball history.
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Plus, no fucking way can a Lakers show end in 1984.”Ĭertainly “Winning Time” isn’t the first TV show to drop a premature conclusion on viewers. “For the actors, the crew, the storyline. “This saga is not complete and needs to continue,” Pearlman wrote in August.
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Author Jeff Pearlman, whose 2014 book “Showtime: Magic, Kareem, Riley and the Los Angeles Lakers Dynasty of the 1980s” serves as the source material for “Winning Time,” had taken to social media during the season to implore his followers to support the series by tuning in. A series with dazzling period detail, a sprawling ensemble, Los Angeles shooting permits and lots and lots of extras seemed an expensive production for an entertainment industry in existential crisis engaged in cost-cutting frenzy. The fate of “Winning Time” had seemed tenuous even before the finale. Reilly and Hadley Robinson in “Winning Time: The Rise of the Lakers Dynasty” And you know how I know? Because we fucking own this.” The pair look to the heavens, laughing maniacally, before “Winning Time” brings on one last Gen X anthem (Pat Benatar’s “Shadows of the Night”) to launch into some closing title cards informing viewers about the futures of the show’s principal characters - those chyrons also weren’t there in the previous version of the Season 2 finale. Buss assures his heir, “You know it’s going to be alright, kid.
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The pair crack open a bottle of whiskey as Dr. Reilly) and his daughter Jeanie (Hadley Robinson) are seen taking a seat center-court at the Forum. In a bizarre tonal pivot, the episode moves to an additional scene that was not in the finale Variety screened before the season began. After that striking conclusion, “Winning Time” makes a time-jump of a few days to attempt to snatch victory from the jaws of defeat. “What Should Never Be,” as it turns out, is an exploration of Johnson and the Lakers’ numerous Finals victories after 1984. Boston uncorks the Champagne while Magic Johnson (Quincy Isaiah) collapses in the locker room showers, his spirits cratering to a new low as Led Zeppelin’s “What Is and What Should Never Be” blares on the soundtrack. It’s an ugly defeat for Los Angeles, who are immediately greeted with a stampede of Celtics fans rushing the floor before they can sulk off the court. 'The Other Black Girl' Twist Ending, Explained - and How the Show Sets Up Season 2Īfter a seven-game duel between the Lakers and the Celtics, Larry Bird (Sean Patrick Small) and his Boston ballers sink a dagger into their West Coast rivals, claiming victory as the NBA champions of 1984. How Taylor Swift's 'Look What You Made Me Do' Became the Anthem for Prime Video's Revenge Thriller 'Wilderness' 'Yellowstone': What's Accurate About the Show, and What Isn't? A Real-Life Rancher Tells All HBO has confirmed to Variety that Sunday’s Season 2 finale is the last episode of the basketball series. The show may have been called “Winning Time,” but it’s ending with a historic loss. SPOILER ALERT: This article includes details about the Season 2 finale of “Winning Time: The Rise of the Lakers Dynasty,” now streaming on Max.
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